中国古代艺术品评观念的理论建构--以“荒率”概念的源流及其价值演变为中心  

The Theoretical Construction of Chinese Ancient Art Criticism Concept:Focusing on the Origin and Value Evolution of the Concept of“Perfunctoriness”

作　　者：杨心珉 YANG Xin-min(School of Humanity,Huzhou Normal College,Huzhou,Zhejiang 313000)

机构地区：[1]湖州师范学院人文学院,浙江湖州313000

出　　处：《艺术百家》2021年第6期42-53,共12页Hundred Schools In Arts

基　　金：2019年度国家社科基金艺术学重大项目“中国美术史学史研究”(项目编号:19ZD19)阶段成果之一。

摘　　要：艺术创作推动理论建设的跟进,而艺术理论的丰富又反哺于创作。在中国传统艺术品评理论体系中,“荒率”概念经常被提及,“荒率”概念内涵的确立经历了漫长的过程。在中国古代艺术品评活动中,观念的建构因语言文字实用属性的不断变化而变化,艺术理论建设不是经验的重复堆砌,而是一个能够让已有元素实现自我发育和自我丰富的复杂过程,它们时常在实现最初的角度迁移和体系更新后以辩证的方式使内涵趋于自洽稳定,继而实现超越领域的辐射和延伸。对这种重塑模式做出深入探索,能够避免艺术理论研究陷入到单纯依作论作的主观盲从、就事论事的考据桎梏和以技求技的循环解释中去,从而促成艺术与社会的深层对接,实现对“笔墨当随时代”经典命题的解构和诠释。Art creation promotes the follow-up of theoretical construction, and the abundance of art theory feeds back the creation. In the traditional Chinese art criticism theory system, the concept of "perfunctoriness" is often mentioned, the establishment of the concept of "perfunctoriness" has gone through a long process.In ancient Chinese art evaluation activities, the construction of concepts changes due to the continuous changes in the language attributes. The construction of art theory is a complex process enabling the existing elements to develop and enrich themselves instead of a repetitive stacking of experiences. It often tends to be self-consistent and stable in a dialectical way after completing the initial angle shift and system update, and then go beyond the radiation and extension of the field. Exploring this reshaping model in-depth can prevent art theory research from falling into the subjective blind obedience of purely based on writing, the shackles of textual research and the cyclical interpretation of skill-seeking skills. Instead, it promotes the deep connection between art and society, achieving the deconstruction and interpretation of the classic proposition of "language changes as times".

关 键 词：艺术品评 艺术学理论 荒率 词义 价值演变 

分 类 号：J01[艺术—艺术理论]