大理白族“绕三灵”的本相阐释——基于“绕三灵”的田野考察  

An Interpretation on the Essence of Bai Nationality’s Custom“Rao-san-ling”in Dali City Based on a Field Investigation

作　　者：邢莉[1] 张翠霞 XING Li;ZHANG Cuixia(School of Literature,Journalism and Communication,Minzu University of China,Beijing 100081,China;School of Government Management,Yunnan University,Kunming,Yunnan 650091,China)

机构地区：[1]中央民族大学文学与新闻传播学院,北京100081 [2]云南大学政府管理学院,云南昆明650091

出　　处：《贵州大学学报（艺术版）》2022年第1期24-33,共10页Journal of Guizhou University Art Edition

基　　金：教育部人文社科项目“洱海流域人水关系与生态环境治理研究”(项目编号:18YJCZH038)。

摘　　要：“绕三灵”是大理白族稻作文化非物质文化遗产的表征。通过田野考察,从“绕三灵”的时空维度与大理白族稻作文化的关系可知,出现在“绕三灵”过程中的舞蹈、对歌、接送金姑等仪式表述的文化本相是祈雨。在“绕三灵”节日的“阈限期”内,婚外性行为可能存在,其构成了巫术祈雨功能的组成部分,这是原始文化思维的遗留,显示了“绕三灵”的历史价值和文化价值。The custom“Rao-san-ling”is the representation of the intangible cultural heritage of Bai nationality’s rice farming culture in Dali city.Through the field investigation,it can be noted that the cultural essence of the rituals such as dancing,singing in antiphonal style,and inviting and seeing off Goddess Jin-gu in the process of“Rao-san-ling”is to pray for rainfall as demonstrated from the relationship between the spatiotemporal dimension of“Rao-san-ling”and Bai nationality’s rice farming culture in Dali city.In the“liminality”of the festival“Rao-san-ling”,extramarital sex may exist,which constitutes an integral part of praying for rainfall as the witchcraft,which is also a legacy of primitive cultural thinking that demonstrates the historical and cultural values of“Rao-san-ling”.

关 键 词：白族 “绕三灵” 本相 祈雨 

分 类 号：J19[艺术—艺术理论]