20世纪60年代美国对日本的民主化改革——以安部公房“失踪三部曲”为中心  

The Democratization Reform of Japan by the United States in the 1960s-Centered on the“Missing Trilogy”of Abe Kobo

作　　者：邵一平[1] 刘雨[1] Shao Yiping;Liu Yu

机构地区：[1]东北师范大学文学院,吉林长春130024

出　　处：《外国问题研究》2021年第4期26-32,116,共8页FOREIGN HISTORY STUDIES

摘　　要：安部公房在20世纪60年代创作了著名的“失踪三部曲”,包括《砂女》(1962)、《他人的脸》(1964)和《燃烧的地图》(1967)。在这三部作品中,安部公房笔下的人物都呈现出一种找不到归属的“无根”的精神状态。“失踪”或“无根”既体现了1945年日本经历战败后的精神错乱和漂浮状态,更反映出20世纪60年代经济高速增长时期日本迫切的民族“寻根”意识。战前和战后的历史断裂感、主体性的身份认同危机是安部公房“失踪三部曲”历史意识的基调。Abe Kobo wrote the famous“Missing Trilogy”in the 1960s,including“Suna No Onna”(1962),“Others’Face”(1964)and“Burning Map”(1967).In these three works,the characters in Abe Kobo’s works are in a“rootless”state of mind that can’t find their belonging.“Missing”or“rootless”is the state of insanity and floating after Japan’s defeat in 1945,which reflects Japan’s internal dissatisfaction with the mandatory democratization reform implemented by the United States and Japan’s urgent national“root seeking”consciousness during the period of rapid economic growth in the 1960s.The sense of historical rupture before and after the war,the realistic contrast between forced democratization and rapid economic growth,and the identity crisis of national subjectivity are the keynote of the historical consciousness of the“Missing Trilogy”written by Abe Kobo.

关 键 词：安部公房 “失踪三部曲” 日本人 历史意识 

分 类 号：I313.074[文学—其他各国文学]