“左联”时期文艺大众化讨论对中国化马克思主义文论的影响--以阳翰笙的两篇文章为切入点  

The Influence of the Popularization of Literature and Art in the Period of “The League of Left-Wing Writers” on Marxist Literary Theory of China: Taking Yang Hansheng’s Two Articles As the Example

作　　者：泓峻[1] 刘立山[1] Hong Jun;Liu Lishan

机构地区：[1]山东大学马克思主义文艺理论研究中心

出　　处：《上海文化》2022年第2期5-13,共9页Shanghai Culture

摘　　要：“左联”时期是中国化马克思主义文论发展关键时期,具有许多重要理论建树。以阳翰笙为例,他通过《普罗文艺大众化的问题》和《文艺大众化与大众文艺》两篇文章参与1930年和1932年的文艺大众化讨论,涉及艺术家与革命实践的关系、大众文艺的艺术性及其判断标准、民间文艺形式的利用与群众文艺活动的组织、对旧文学的继承与创新、工农作家的培养、文学语言的大众化等中国化马克思主义文论的核心命题,表现出卓越的理论眼光。The period of"The League of Left-Wing Writers"with many important theoretical achievements is very crucial in the history of the development of Sinicized Marxist literary theory.Yang Hansheng participates in the discussion of the popularization of literature and art in 1930 and 1932 with two articles,Problems of Popularization of Proletarian L iterature and Art and Popularization of Lit erature and Art and Popular Literature,exploring the relationship between artists and revolutionary practice,the artistic quality of popular literature and its judgment standard,the utilization of folk literature and art and the organization of mass literature and art activities,the inheritance and innovation of old literature,the cultivation of workers and peasants writers,the popularization of literary language and other core propositions of Sinicized Marxist literary theory,which reflects excellent theoretical visions.

关 键 词：“左联” 文艺大众化 阳翰笙 中国化马克思主义文论 

分 类 号：I0[文学—文学理论]