论儿童小说中狂欢化叙事的精神实质及意义  

A Study on the Spirit and Significance of Carnival Narration in Children’s Novels

作　　者：徐德荣[1] 孙明双 Xu Derong;Sun Mingshuang(College of Foreign Languages,Ocean University of China,Qingdao 266100,China)

机构地区：[1]中国海洋大学外国语学院,山东青岛266100

出　　处：《中国海洋大学学报（社会科学版）》2022年第2期121-128,共8页Journal of Ocean University of China(Social Sciences)

基　　金：国家社科基金项目“百年中国儿童文学外译研究”(21BWW011);教育部重大课题攻关项目“中国儿童文学跨学科拓展研究”(19JZD036);中央高校基本科研业务费项目“儿童文学翻译的跨学科研究”(202042006)。

摘　　要：儿童小说中的狂欢化叙事具有独特的表现机制和精神实质。以大卫·威廉姆斯的作品为例,从情节、人物和语言风格三个方面探究其儿童小说的狂欢化叙事机制。狂欢化叙事的精神实质是解放儿童、以儿童为本位的儿童文学创作思想,具体表现在对社会等级秩序的颠覆、对成人权威的反叛和对发声权利的追求三个方面。儿童小说中的狂欢化叙事实现了表现手法与精神实质的辩证统一,对于儿童文学中价值观念的传达有着深刻的启发意义,体现出狂欢化儿童文学尊重儿童独有生命形态,实现儿童本位创作的本质诉求。Carnival narration in children’s novels has its unique expressive mechanism and spirit.The paper takes David Williams’ works as examples to explore the narrative system of his children’s novels from the aspects of plots,characters and language style.The paper believes that the spirit of carnival narration is the child-liberation and child-orientation thoughts on children’s literature creation,which is embodied in three aspects——children’s subversion against social hierarchy,their rebellion against adult authority and their pursuit of the right to make themselves heard.The spirit of carnival narration has a profound enlightening significance for the values to be conveyed in children’s literature and it reflects the quest of carnivalized children’s literature,that is respecting the unique life forms of children and realizing child-oriented children’s literature creation.

关 键 词：儿童文学 儿童小说 狂欢化 大卫·威廉姆斯 儿童本位 

分 类 号：I106.4[文学—世界文学]