审美幻象构建与参与式文化的当代影像表达——以网剧《隐秘的角落》为例  

Construction of Aesthetic Mirages and Contemporary Image Expressions of Participatory Cultures in The Bad Kids

作　　者：陈月瑶 CHEN Yueyao(Chinese Department, Guangxi Normal University, Guilin 541000, China)

机构地区：[1]广西师范大学文学院,广西桂林541000

出　　处：《中北大学学报（社会科学版）》2022年第2期123-127,共5页Journal of North University of China：Social Science Edition

摘　　要：随着媒介融合现象与IP影视化改编的不断成熟,网剧这一新型电视艺术逐渐纳入人们的日常生活中,网剧《隐秘的角落》一方面在叙事、镜头、空间造型美学及功能性配乐等方面进行了精英式的表达,呈现出充斥“余韵”的审美经验;另一方面,观众倚靠跨媒介互动形式,通过社交媒体、同人写作及视频弹幕等方式参与元文本的重构与反哺,以表明大众文化的审美价值取向。审美形态如何在二者之间取得平衡对于探求当代影视艺术发展新的可能性至关重要。With the development of media convergence and the adaptation of IP film and television,network drama has entered people’s daily life.On the one hand,The Bad Kids expresses its narration,lens,space and music to manifest lingering charms in an elite way.On the other hand,audiences also participate in the reconstruction and revision of meta texts through cross-media interactions such as social media,fan writing and video barrage to show the aesthetics of mass cultures.It is important to balance elite aesthetics and mass aesthetics in the development of contemporary film and television arts.

关 键 词：审美幻象 参与式文化 《隐秘的角落》 余韵 文本盗猎 

分 类 号：J90-4[艺术—电影电视艺术]