当代敦煌藻井图案的象征符号再设计研究——以人民大会堂装饰应用为例  

RESEARCH ON SYMBOL REDESIGN OF CONTEMPORARY DUNHUANG CAISSON PATTERNS--TAKE THE DECORATION APPLICATIONS IN THE GREAT HALL OF THE PEOPLE AS AN EXAMPLE

作　　者：郭丹 童威[1] GUO DAN;TONG WEI

机构地区：[1]浙江理工大学艺术与设计学院

出　　处：《设计》2022年第4期40-43,共4页Design

基　　金：浙江理工大学“课程思政”示范课程建设项目(编号:XMJWCb20200006)。

摘　　要：在当今世界多元文化的渗透和碰撞下,树立中华民族的文化自信尤为重要,而敦煌壁画作为数千年文明的历史见证者,必需充分挖掘图案符号内蕴以强化民族文化认同。文章从图案象征寓意切入,分析敦煌藻井图案象征符号的演变脉络,以新中国共和精神重塑后的人民大会堂装饰应用为例,对比象征寓意的新旧变换,探究其在当代设计中的再生与嬗变。提炼总结了相关设计的象征意蕴。该视角可为继承和弘扬敦煌文化提供更多的解读。Under the penetration and communication of diverse cultures over the world,it is of vital importance to establish national cultural confidence.Dunhuang murals,a witness of Chinese cultures and histories lasting for thousands of years,need to be fully explored for their graphic symbolic connotations to strengthen national cultural identity.With a focus on the symbolism of patterns,this paper analyzes the evolution of Dunhuang caisson patterns.Based on a case study on decoration applications in the Great Hall of the People after the Rebuilding of the New Chinese Republican Spirit,it compares the transformation in connotations of symbols and studies its regeneration and evolution in contemporary design.Refining and summarizing the symbolic meaning of the relevant designs.This perspective can provide additional interpretive insights into the inheritance and promotion of Dunhuang culture.

关 键 词：藻井图案 莲花纹 象征寓意 人民大会堂 共和精神 

分 类 号：J045[艺术—艺术理论]