两种思维主导的当代艺术  

On the Contemporary Art Led by Two Different Thinking

作　　者：李佳睿 Li Jiarui

机构地区：[1]伦敦大学学院斯莱德艺术学院

出　　处：《美术》2022年第2期21-25,共5页Art Magazine

摘　　要：艺术的概念在当代发生了天翻地覆的改变,而观众往往带着一种从传统艺术中延续下来的对审美的期待走进当代艺术,不免觉得不知所云。当代艺术的混沌也给艺术家的创作带来困难,而这种混沌根本上是图像思维和语言思维的博弈。将两种不同思维主导艺术活动置于同一个方法论之下,会给艺术解读和创作带来很多困扰。本文通过对主导当代艺术的两种思维进行解析,探讨审美、技术这些艺术关键元素的意义,意在鼓励艺术实践者在两种思维中进行清晰地取舍,了解自己在当代艺术语境中的位置,从而建立自己的艺术实践方法论。The concept of art has undergone earth-shaking changes in contemporary times.However,audiences often come into contemporary art with an aesthetic expectation inherited from traditional art,which is why they can’t help but feel confused.The chaos of contemporary art also brings difficulties to the artists'creation,and this chaos is basically a game between image thinking and language thinking.Putting the art activities led by two different thinking under the same methodology will bring a lot of trouble to art interpretation and creation.Through the analysis of the two kinds of thinking that dominate contemporary art,this paper discusses the meaning of the key elements of art such as aesthetics and technology,aimed to encourage art practitioners to make a clear choice between the two kinds of thinking and to understand their position in the context of contemporary art,so as to establish their own artistic practice methodology.

关 键 词：语言思维 图像思维 观念艺术 写实 审美 

分 类 号：J209[艺术—美术]