人生的艺术化与艺术的生活化——朱光潜论人生、艺术与生活的关系  

A Study of Zhu Guangqian’s Remarks on the Relations Between Life,Art and Living:Art of Life and Living of Art

作　　者：伏爱华[1] FU Ai-hua(Department of Philosophy,Anhui University,Hefei 230039,China)

机构地区：[1]安徽大学哲学学院,合肥230039

出　　处：《合肥学院学报（综合版）》2022年第1期77-81,139,共6页Journal of Hefei University：Comprehensive ED

基　　金：2017年度国家社科基金重大项目“朱光潜、宗白华、方东美美学思想形成与桐城文化关系研究”(17ZDA018)资助。

摘　　要：在朱光潜那里,人生分为广义的完满人生和狭义的实际人生。前者具有理想的形而上意义,侧重于人的生命;后者属于现实的形而下层面,指的是人的实际生活,而这却是大部分人的生活状况,从而让我们不能免俗。如果我们将人生理解为人的生命,那么人生艺术化;如果我们将人生理解为人的生活,那么艺术生活化。相较于生命来说,生活是实在的,触手可及的。因此,朱光潜立足于现实人生和具体的生活实在,要求我们做“善于生活者”,过情趣人生。According to Zhu Guangqian,life is perfect in a broad sense,but realistic in a narrow sense.The former has an ideal metaphysical meaning,focusing on human life;the latter belongs to the lower level of reality,which refers to people’s life,that is,the living actuality of most people,so we are worldly.If we prefer life as human lives,then life is artistic;if we prefer life as people’s living,then art is living.Compared with life,living is real.Therefore,Zhu Guangqian hoped that people could be good at living and have perfect good taste based on the reality life.

关 键 词：朱光潜 人生的艺术化 艺术的生活化 

分 类 号：B834[哲学宗教—美学]