装饰的回归--装饰在当代图形设计中的拓展表现研究  

The Return of ornament-A Study on the Expanded Expression of ornament in Contemporary Graphic Design

作　　者：谢赛特 Xie Saite(School of Design and Art in China Academy of Art,Hangzhou Zhejiang 310000)

机构地区：[1]中国美术学院设计艺术学院,浙江杭州310000

出　　处：《流行色》2022年第2期113-116,共4页Fashion Color

摘　　要：在新时代背景下科技的高速发展下,装饰在现代主义与后现代主义设计的历程后逐渐在大众视野中回归,在当代图形设计领域形成了多元化的呈现方式。区别于传统装饰图案,当代装饰图形在表现形式转向非秩序的表现,在功能与价值上都呈现了较大的差异性,它不再仅仅作为审美功能而存在,同时参与了结构、表皮、信息传递等功能。在今天,装饰在图形设计中的应用因技术的变革使得人们审美形态发生改变,同时也在不断地向其他领域拓展,成为一种“新时尚”。Under the rapid development of science and technology in the background of the new era,ornament gradually returns in the public view after the course of modernism and postmodernism design,forming a diversified presentation in the field of contemporary graphic design.Distinguished from traditional decorative graphics,contemporary decorative graphics have shifted to a non-orderly presentation in terms of expression,presenting a greater variation in both function and value;it no longer exists only as an aesthetic function,but also participates in the functions of structure,epidermis,and information transmission.Today,the application of ornament in graphic design has become a"new fashion"due to the change of technology,which makes people's aesthetic form change,and it is also expanding to other fields.

关 键 词：装饰图形 回归 图形设计 审美 拓展表现 

分 类 号：G63[文化科学—教育学]