百年中国儿童文学变迁下的童话批评——以《木偶奇遇记》为例  

Criticism of Fairy Tales under the Development of Chinese Children's——Literature in the Past Hundred Years:The Adventures of Pinocchio as an Example

作　　者：廖光发 闫宁[1] LIAO Guangfa;YAN Ning(School of Literature,Kunming University,Kunming 650000,China)

机构地区：[1]昆明学院人文学院,云南昆明650000

出　　处：《大连大学学报》2021年第5期77-85,共9页Journal of Dalian University

基　　金：国家社科基金“民俗学视阈下的鲁迅与传统文化研究”(16XZW017)。

摘　　要：中国儿童文学从“五四”新文化运动发展至今,已历经一百余年,在百年中国儿童文学变迁中,童话批评几乎完整地参与了这一过程,并且在不同时期反映了儿童文学的不同特点。其中,《木偶奇遇记》作为较早翻译的外国童话经典之一,经过近百年的发展,已经出现了几百种中译本,而对它的童话批评可追溯至20世纪20年代末。《木偶奇遇记》的童话批评历程是中国童话批评的微型折射,其七种主要批评路径在佐证童话批评盛况的同时,也能折射出童话批评及中国儿童文学存在的问题。Chinese children's literature has been developed for more than one hundred years since the May Fourth New Culture Movement,and fairy tale criticism has almost completely participated in this process during the development of Chinese children's literature in the past century,and reflected different characteristics of children's literature at different times.Among them,The Adventures of Pinocchio,as one of the early translations of foreign fairy tale classics,has appeared in several hundreds of Chinese translations after nearly a century of development,and the fairy tale criticism of it can be traced back to the late 1920s.The history of fairy tale criticism of Pinocchio is a miniature reflection of Chinese fairy tale criticism,and its seven main critical approaches can reflect the problems of fairy tale criticism and Chinese children's literature while corroborating the heyday of fairy tale criticism.

关 键 词：《木偶奇遇记》 童话批评 百年中国儿童文学 

分 类 号：I06[文学—文学理论]