“艺术自主”思想的缘起和流变探究  

On the Origin and Evolution of“Autonomy of Art”

作　　者：王树江 Wang Shujiang(Graduate School,Chinese National Academy of Arts,Beijing 100029,China)

机构地区：[1]中国艺术研究院研究生院,北京100029

出　　处：《保定学院学报》2022年第2期68-73,共6页Journal of Baoding University

基　　金：河北省社会科学基金一般项目“法兰克福学派的文艺伦理思想研究”(HB19ZW016)阶段成果。

摘　　要：“autonomy”一词从政治领域的“自治”扩展到道德伦理上的“自律”再到艺术与审美范畴上的“自主”的过程中,源于社会领域的分化、人文主义和理性主义思想的兴盛、艺术家及其创作的独立以及艺术风格与表现的革新,各时代的理论家都曾对“艺术自主”作出思考。到20世纪,从艺术和美学的本体维度与文化社会学的外在视野出发的阐释使“艺术自主”具备了多元化的内涵和价值,此时的观点以“为人而艺术”为核心呈现出一种立场上的统一。因此,应当坚持一种更具人文关怀的思想立场,客观辩证地考察历史和语境、理论与实践,以赋予“艺术自主”更具时代性和语境性的内涵与价值,藉此推动艺术更好地服务于人和社会。Along with the meaning of the word“autonomy”extended from the political field to the morality,and then to the category of art and aesthetics,because of the differentiation of social field,the thoughts of humanism and rationalism,the independence of artists and their creation,the innovation of art’s style and expression.Theorists of all ages have thought about“Autonomy of Art”.In the 20th century,the interpretation from the ontological dimension of art and aesthetics and the external vision of cultural sociology produced“Autonomy of Art”diversified connotation and value.These viewpoints at that time took“art for man’s sake”as the core,showed a unity of positions.Therefore,we should insist on the ideological position with more humanistic concern,investigate history and context,theory and practice,objectively and dialectically,so as to endow“Autonomy of Art”with more contemporary and contextual connotation and value,and to make the art serve people and society much better.

关 键 词：艺术自主 词源分析 艺术理论 文化社会学 “为人而艺术” 

分 类 号：J01[艺术—艺术理论]