“民间”的生发与变迁:中国民族民间舞文化身份反思  

The Growth and Change of “Folk”: Reflection on the Cultural Identity of Chinese Ethnic and Folk Dance

作　　者：李卿[1] 陈韵 LI Qing;CHEN Yun(Beijing Dance Academy,Beijing 100081;Communication University of China,Beijing 100024,China)

机构地区：[1]北京舞蹈学院研究生部,北京100081 [2]中国传媒大学音乐与录音艺术学院,北京100024

出　　处：《北京舞蹈学院学报》2021年第6期66-72,共7页Journal of Beijing Dance Academy

基　　金：北京舞蹈学院校级科研项目“中国民族民间舞文化身份研究”研究成果。

摘　　要：中国民族民间舞作为当代最为广泛而重要的舞蹈现象,民间是探讨其文化身份的重要切入点。中国民间舞在20世纪中叶逐步出场,并进入中国舞蹈艺术专业教育体系之中。改革开放后,民间舞蹈面对由全球化引发的文化同质化趋势感受到危机和挑战。此时,中国民间舞经过多年以教学研究为核心的积累,反思自身的文化定位,北京舞蹈学院通过将院系名称改名为中国民族民间舞系,将曾被人们自觉遵循的民族/民间文化话语模式,在新世纪来临之时进行明确表述,成为应对时代挑战,表明自身艺术理想与文化追求的实际举措。As the most extensive and important dance phenomenon in contemporary China, Chinese ethnic and folk dance is an important entry point to explore its cultural identity. Chinese folk dance gradually appeared in the middle of the 20 th century and entered the professional education system of Chinese dance art. After the reform and opening up, folk dance met the survival crisis when facing the trend of cultural homogenization caused by globalization. At this point, after many years of accumulation with teaching and research as the core, Chinese folk dance rethought its cultural positioning. Beijing Dance Academy changed its name to the Department of Chinese Ethnic and Folk Dance, explicitly stated the ethnic/folk cultural discourse model that people have consciously followed before the advent of the new century, which has become a practical measure to meet the challenges of the times, and express artistic ideal and cultural pursuit.

关 键 词：民间 中国民间舞 中国民族民间舞 文化身份 

分 类 号：J792.9[艺术—舞蹈]