“十七年”时期的“光之风景”——论刘白羽、杨朔游记散文中的现代空间书写主题  

“Lightscape”in the“Seventeen-Year”Period:On Themes of Modern Spatial Writing in Liu Baiyu and Yang Shuo’s Travel Proses

作　　者：张一玮[1] 杨紫童 ZHANG Yi-wei;YANG Zi-tong(School of Humanities,Chinese Communication University,Beijing 100024)

机构地区：[1]中国传媒大学人文学院,北京100024

出　　处：《延安大学学报（社会科学版）》2022年第2期85-92,F0003,共9页Journal of Yan'an University (Social Sciences Edition)

基　　金：中国传媒大学科研项目“媒介与新时代文学形态、文学生活研究”(CUC18CX08)。

摘　　要：阳光照耀下的白昼风景、由灯光构成的夜晚景象,是刘白羽、杨朔等“十七年”时期中国游记散文作家笔下具有独特意义的空间书写主题。在“十七年”时期的游记文学作品中,有关此类景象的叙述不但承载着呈现现实的功能,而且形成了向现代迈进的新中国社会文化风貌的独特隐喻。两位具有代表性的散文作家不但塑造了富有时代性和象征性的视觉景观,还在其游记文学中创造出新的主体形象和新的观者目光,并以白昼和夜晚的空间书写拓展了游记散文与意识形态融合的可能性,铺陈出属于“十七年”时期社会主义语境下的现代性景观。The daytime scenes under the sunshine and the night scenes composed of lights are distinctive spatial themes of the Chinese travel writing writers in the“Seventeen-year”period,such as Liu Baiyu and Yang Shuo.In travel proses of that period,the narration of such scenes not only carried the function of presenting reality,but also formed a unique metaphor of the social and cultural features of new China towards the modern era.Liu and Yang not only created visual landscape full of times and symbolic significance.In these travel proses,new images of subjects and the fresh sights of travelers were also created,and the possibility of the integration of literature and ideology was expanded in spatial writing,which demonstrated a modern lightscape in the socialist context of the“the Seventeen-year”period.

关 键 词：“十七年”时期 游记散文 刘白羽 杨朔 空间书写 

分 类 号：I267[文学—中国文学]