《梅雨之夕》和《尤利西斯》中西意识流之比较  

A Comparison between the Stream of Consciousness of One Rainy Evening and Ulysses

作　　者：陈珊 CHEN Shan(School of Foreign Languages of Lanzhou Institute of Technology,Gansu Lanzhou 730050)

机构地区：[1]兰州工业学院外国语学院,甘肃兰州730050

出　　处：《牡丹江大学学报》2022年第3期36-42,共7页Journal of Mudanjiang University

基　　金：2020年度甘肃省高等学校科研项目一般项目的阶段性研究成果(项目编号:2016A-103)。

摘　　要：“意识流”的起源、流行、发展和成熟都是在西方,传入中国后便有了不同的表现形式。意识流文学的本质特征是内心独白与内心分析。通过对施蛰存的小说《梅雨之夕》和詹姆斯·乔伊斯的小说《尤利西斯》人物的心理描写分析意识流小说的典型特征。《梅雨之夕》采用“循规联想”和“道德印象”的“意识流”表现技巧;《尤利西斯》则采用“自由联想”和“感官印象”的“意识流”表现技巧。两部意识流作品的表现手法既有相同之处,又有本质区别,通过比较进一步阐明了“意识流”小说的本质及中国化的变异之所在。The origin,popularity,development and maturity of the stream of consciousness are all in the West,and there are different forms of expression after it is introduced into China.The essential characteristic of the stream of consciousness literature is the inner monologue and the inner analysis.The typical features of the stream of consciousness novel are analyzed through the psychological description of the characters in Shi Zheicun ’s novel One Rainy Evening and James Joyce’ s novel Ulysses.One Rainy Evening uses stream of consciousness expression skills of rule association and moral impression;Ulysses uses stream of consciousness expression skills of free association and sensory impression.The methods of expression of the two streams of consciousness works have both the same similarities and the essential differences,and the essence of the stream of consciousness novel and the variation of the Chinese transformation are further clarified through comparison.

关 键 词：《梅雨之夕》 《尤利西斯》 意识流 心理描写 

分 类 号：I106.4[文学—世界文学]