新媒介文学景观与文学的物质性  

New Media Literary Spectacle and the Materiality of Literature

作　　者：周才庶 Zhou Caishu(the School of Literature,Nankai University,Tianjin 300071,China)

机构地区：[1]南开大学文学院,300071

出　　处：《文艺理论研究》2022年第1期134-144,共11页Theoretical Studies in Literature and Art

基　　金：国家社会科学基金后期资助项目“新媒介文学的审美经验研究”[项目编号:19FZWB061]阶段性成果。

摘　　要：新媒介文学以文字、影像、网络语言为媒介,突破以文字为本的传统文学形式,形成文字、声音和图像相互关联的文学形态,其逻辑起点是以媒介为基点来认识文学作品的物质基础和表意符号。文学具有物质性,媒介的物质基础决定语言的符号系统,以及文学创作和接受的社会情境。超文本、遍历文学、数字文学、电子文学是新媒介文学的诸种理论表述,新媒介文学形成了印刷文本、影像文本和网络文本交叉融合的复合文本形态。数字文学情境出现了三种明显的倾向,其一为商业化、产业化,其二为社交化、社群化,其三为文学的审美特性从语言文字向画面影像层面渗透。New media literature is created on the basis of such media as words,images and network languages.It breaks away from the traditional literature that builds solely upon texts,but instead forms a literature in which words,sounds and images are interrelated.The materiality of literature determines the symbolic system of language,as well as the social context for literar\,creation and reception.Such literature is understood from the perspective of media which identifies its material basis and ideographic symbol.Hypertext,ergodic literature,digital literature and electronic literature are varied forms of the new media literature,which is composed of printed text,video text and hyperlink text.The digital literary context has shown three trends of development:industrialization and rommunalization,socialization and community-formation,and aesthetic infiltration of linguistic dimension to visual dimension in the literature.

关 键 词：新媒介文学 物质性 文本形态 文学情境 

分 类 号：I106[文学—世界文学]