京派文学的散文化与母语文学传统的新创化  

The Prose Culture of Beijing School Literature and the Innovation of Mother Tongue Literary Tradition

作　　者：伍丹[1] WU Dan

机构地区：[1]湖南师范大学文学院,湖南长沙410081

出　　处：《湖南师范大学社会科学学报》2022年第2期119-124,共6页Journal of Social Science of Hunan Normal University

基　　金：国家社会科学基金项目“20世纪中国文学的母语化进程研究”(15BZW149)。

摘　　要：京派同人拥有共同的文学理念,将汉语言母语文学的诗性本色视为己任,对母语文学进行了现代性创化或“新传统化”。散文是母语文学的正宗,也是现代文体中发展得最为从容和完备的一种。京派文学对母语文学现代性创化的重要表征是创作的“散文化”。京派文学“散文化”症候之一是小说,作家运用并发展了母语文学叙述语言的精练、含蓄和抒情功能。其中对情绪和炼句的考究、结构的片段性与叙述的空白化,都展示出其小说创作散文化的文本基色。症候之二是在理论性或批评性话语层面也呈现出散文化思维态势。京派批评家追求“寻美的批评”,以及文学批评本身就是一门独立的艺术创造,在传承和开发母语文学资源的基础上,创造了一种近似“美文”的、由感悟化思维所凝聚成的批评(理论)文体风范。Writers of the Beijing School share a common literary concept.They reproduce the poetic nature of Chinese literature and carry out modern innovation or“new traditionalization”.Prose is among the authentic traditions of Chinese literature and the most developed literary genre.The important expression of Beijing School literature to the modernity innovation of Chinese literature is the“prosification”in literary creation.One of the characteristics of the“prosification”of Beijing school literature is that writers have developed the concise,implicit and lyric functions of Chinese literary narrative language.They attach importance to the fragmentation of emotion,sentence refinement and structure and the emptiness of narration.All these show the prose characteristics in novel writing.The second characteristic of“prosification”in Beijing school literature is that writers also use prosified thinking when evaluating and appreciating works.Critics of the Beijing School pursue“criticism seeking beauty”.They think that literary criticism itself is an independent artistic creation.On the basis of inheriting and developing the literary resources of their mother tongue,they have created a form of criticism that is similar to“beautiful literature”and condensed by inspiration.

关 键 词：京派文学 母语文学 散文化 

分 类 号：I207.42[文学—中国文学]