孰清孰浊:太宰治《清贫谭》对《黄英》人物形象的重塑  

Who is Unsullied:On the Reshaping of the Characters in Huang Ying by Osamu Dazai's A Tale of Poverty

作　　者：邹双双[1] ZOU Shuang-shuang(School of Foreign Languages of Sun Yat-sen University,GuangZhou 510275,China)

机构地区：[1]中山大学外国语学院,广东广州510275

出　　处：《蒲松龄研究》2022年第1期69-78,共10页Study on Pu Songling

摘　　要：太宰治将《黄英》改写成《清贫谭》,重塑了黄英、马子才的人物形象,这集中体现在“清者自清、浊者自浊”一言的移花接木上。原作中完美的理想女性黄英被重塑成敢于追求爱情却不能自立的女子,清高迂执的马子才换名马山才之助,被重塑成作中最核心人物,依旧迂执,但更有骨气。太宰治如此重塑的原因有两点:一是为了呼应其同时期创作的《促织》;二是为了更好地揭示“新体制”时局下的文人处境,批判该体制。Dazai Osamu rewrote Huang Ying into A Tale of Poverty,reshaping the characters of Huang Ying and Ma Zicai,which is mainly reflected in the change of the person who say“A unsullied one is unsullied,and a sordid one is sordid”.Huang Ying,the perfect ideal woman in the original work,is reshaped into a woman who dares to pursue love but cannot stand on her own.While Ma Zicai,who is arrogant and stubborn in Huang Ying,is reshaped into the most central character in the work,still stubborn,but with more backbone.There are two reasons for Osamu Dazai's remodeling.One is to echo Cricket created at the same time by Osamu Dazai.The second is to better reveal the situation of literati under the“New System”and criticize the system.

关 键 词：《聊斋志异》 《黄英》 太宰治 《清贫谭》 《促织》 

分 类 号：I207.419[文学—中国文学]