由正及变:清代桐城麻溪姚氏诗歌之诗史意义  

From Orthodoxy to Variant:Maxi Yao Family’s Poetry in Tongcheng in the Qing Dynasty and Its Poetic Historical Significance

作　　者：温世亮 Wen Shiliang

机构地区：[1]汕头大学文学院

出　　处：《中国文化研究》2022年第1期106-115,共10页Chinese Culture Research

基　　金：国家社科基金一般项目“桐城麻溪姚氏家族与清诗发展嬗变研究”(17BZW117)的阶段性成果。

摘　　要：桐城麻溪姚氏家族是有清一代典型的文学世家。在麻溪姚氏家族中以诗名世者甚夥,他们实际也成为推动桐城诗派发展的核心力量,在清代诗坛产生了不小的影响。麻溪姚氏诗歌创作保持着家族基因的存续绵延,显示出雅正根深的特点。不过,受时代社会的经世风潮的影响,麻溪姚氏家族诗歌创作完成了由“正风正雅”到“变风变雅”的转变。考察这一转变,不仅有助于厘清麻溪姚氏家族诗歌发展嬗变的脉络,对桐城诗派乃至于清诗的演变轨迹的研究亦具有参考意义。Maxi Yao family in Tongcheng is a typical literary family in the Qing Dynasty.Among the Yao family in Maxi,there were many famous poets.They had actually become the core force to promote the development of Tongcheng School of Poetry,and had had a great influence on the poetry world of the Qing Dynasty.Maxi Yao family’s poetical works maintained the continuity of family culture,showing the characteristics of elegance and orthodoxy.However,influenced by the social trend of the times,Maxi Yao family’s poetry had completed the transformation from orthodox style to variant style.Investigation of this change not only helps to sort out the development of Yao family’s poetry,but also has reference significance for the study of the evolution of Tongcheng School of Poetry and even the Qing poetry in general.

关 键 词：清诗 桐城麻溪姚氏家族诗歌 正风正雅 变风变雅 诗史意义 

分 类 号：I222[文学—中国文学]