互联网技术迭代背景下的数字艺术去中心化演进--从罗伊·阿斯科特到PAK  

The Evolution of Digital Art Decentralization Under the Background of Internet Technology Iteration-From Roy Ascott to PAK

作　　者：张海超 Zhang Haichao

机构地区：[1]四川美术学院实验艺术学院

出　　处：《当代美术家》2022年第2期20-23,共4页Contemporary Artists

摘　　要：“去中心化”在基于当下数字加密艺术的热点讨论中带有明确的区块链技术语境,但这一语境一定程度上掩盖了“去中心化”以当代艺术现场为背景的更加广义的研究价值。本文尝试将去中心化一词从深度绑定区块链的状态中抽离,使用技术现象学相关方法,将其重新定义为伴随互联网技术迭代同步产生的一种旧有艺术现场及其话语体系变革迁移进程。文章从早期洲际电脑网络、万维网、增强现实、区块链四个技术节点切入,每个节点对应一个代表性艺术事件用于论证去中心化在特定时间节点对应的含义特征,以及该特征之于艺术现场与艺术话语体系的变革意义,同时从各个技术迭代节点所引发的艺术现场去中心化进程中探寻其共通本质。"Decentralization"has a clear context of blockchain technology in the heated discussion based on the current digital encryption art,but to some extent this context obscures the broader research value of"decentralization"under the background of the contemporary art scene.This paper attempts to extract the word decentralization from the state of being deeply bound to the blockchain,and redefines it as a change and migration process of old art scene and its discourse system which generated synchronously with the iteration of Internet technology,by using related methods of technological phenomenology.The article starts from four technical nodes of the early intercontinental computer network,World Wide Web,Augmented Reality,and blockchain.Each node corresponds to a representative art event to demonstrate the meaning and characteristics of decentralization at a specific time node,as well as the transformational significance of this characteristic in the art scene and the art discourse system.At the same time,it explores its common essence from the decentralization process of the art scene caused by various technological iteration nodes.

关 键 词：去中心化 区块链 洲际电脑网络 万维网 增强现实 非同质化代币 数学艺术 

分 类 号：J0[艺术—艺术理论] TP399[自动化与计算机技术—计算机应用技术]