九一八事变与东北文学  

The September 18th Incident and the Northeast Literature

作　　者：刘晓丽[1] Liu Xiaoli

机构地区：[1]华东师范大学中文系

出　　处：《社会科学辑刊》2022年第2期186-193,共8页Social Science Journal

基　　金：国家社会科学基金项目(21BZW039)。

摘　　要：重启东北文学概念,考察九一八事变后东北文学的流变,借此重新理解中国现代文学、东亚文学中的某些问题。梳理东北沦陷初期《夜哨》文学和《文艺》文学,《夜哨》文学跨域到上海成为中国1930年代抗日文学的先锋及典范;《文艺》文学被沦陷时期的东北文学继承,成为隐微书写、解殖文学一系。而日伪在东北炮制的“满洲文学”成为东亚文学演练场,为东亚被压迫民族文学提供了发表场域,多语言多国族的文学想象、文学作品是思考东亚文学的资源及文化遗产。新的现实、新的形式、新的场域,东北文学为重新描述中国现代文学和东亚文学提供了契机。The concept of the Northeast literature is renewed,by which the changes of Northeast literature after the September 18th Incident are investigated and certain problems in Modern Chinese literature and East Asian literature are re-understood.In sorting out the literature of Yeshao and Wenyi in the early period of Japan’s occupation of Northeast China,it’s found that Yeshao exiled to Shanghai and became the pioneering model of Chinese anti-Japanese Literature in the 1930s,and that Wenyi was inherited by the Northeast Literature during the occupied period and became a school of Esoteric writing and Lyo-colonial literature.The Manchurian literature made by the Puppet State of Manchukuo in the Northeast became a training field for East Asian literature,providing space for the publication of the literature of various ethnic groups in East Asia.Literary imagination and literary works of multiple languages and nationalities are the resources and cultural heritage for thinking about East Asian literature.With new reality,new form and new field,Northeast literature provides an opportunity to re-describe Modern Chinese literature and East Asian literature.

关 键 词：九一八事变 东北文学 中国现代文学 东亚文学 

分 类 号：I206.6[文学—中国文学]