论莫高窟第61窟《五台山图》的古典之美  

On the Classical Beauty of Map of Mount Wutai in Cave 61 of Mogao Grottoes in View of“Art History”

作　　者：李康敏 王治华 吴晨 LI Kangmin;WANG Zhihua;WU Chen(Research Center of Dunhuang Studies,Nanjing Normal University,Nanjing,Jiangsu 210046,China;No.1 High School of Guazhou County,Jiuquan City,Gansu 736100,China)

机构地区：[1]南京师范大学敦煌学研究中心,江苏南京210046 [2]酒泉市瓜州县第一中学,甘肃酒泉736100 [3]山东文化产业职业学院商学院,山东青岛266000

出　　处：《贵州大学学报（艺术版）》2022年第3期83-91,共9页Journal of Guizhou University Art Edition

摘　　要：敦煌莫高窟第61窟《五台山图》体量宏伟、内容繁杂,建筑、山水、人物取法大唐“古典”范式,在“敦煌石窟美术史”中可谓“独树一帜”。《五台山图》是五代曹氏时期以“画院制度”为背景的“宗教美术”遗迹,于后汉天福十二年(947)九月绘成。该图实证了“丝路审美”图像的“趋同法脉”,融通着“艺术史”空间场域的“承新自生”。莫高窟第61窟《五台山图》不仅是敦煌“五台圣迹”的集大成,也是五代、宋之“非审美”参考的“艺术史”的重要补充。On the west wall of cave 61 of Mogao Grottoes in Dunhuang city,there scrolls a long Map of Mount Wutai with magnificent graphic volume and complicated content.The architecture,landscape and characters follow the“classical”paradigm of Tang Dynasty,which is“unique”in the art history of Dunhuang Grottoes.Map of Mount Wutai is a relic of“religious art”against the background of“the system of painting academy”since CAO Clan’s period during the time of Five Dynasties that was finished in September of the twelfth year of Tianfu(947).This map demonstrates the“convergence law”in the images of“Silk Road Aesthetics”,integrating“inheritance and innovation”in the spatial field of“art history”.Map of Mount Wutai in Cave 61 of Mogao Grottoes is not only the great accomplishment of“the Scared Site Wutai”but also offers important supplements to“art history”that contains rich“non-aesthetic”references in the periods of Five Dynasties and Song Dynasty.

关 键 词：莫高窟 第61窟 《五台山图》 艺术史 丝路审美 

分 类 号：J18[艺术—艺术理论]