草根性:清代花部戏的民间审美情趣  

Grassroots:the Folk Aesthetic Taste of Huabu Opera in the Qing Dynasty

作　　者：段友文[1] 董亚丽 DUAN You-wen;DONG Ya-li(School of Literature,Shanxi University,Taiyuan Shanxi,030006)

机构地区：[1]山西大学文学院,山西太原030006

出　　处：《山西大同大学学报（社会科学版）》2022年第2期53-59,共7页Journal of Shanxi Datong University(Social Science Edition)

基　　金：国家社会科学基金重大项目“山陕豫民间文化资源谱系与创新性发展的实证研究”(19ZDA185)。

摘　　要：清中叶以后花部戏曲的兴起是戏曲史上的重要一环,在此之后,地方戏曲获得了发展壮大的机会,并对后世产生了广泛影响,有着绵延不绝的生命力和独特的艺术成就。在研究其发展过程时可以发现,花部戏与民众有着鱼水般亲密的关系,本文主要从戏曲演出的生活化、观戏行为的平民化、观演双方的戏曲接受三个层面对花部戏与平民阶层之间的关系进行剖析,而这正是花部戏的草根性所在。After the middle of the Qing Dynasty,the rise of Huabu opera was an important part in the history of opera.After that,local opera obtained the opportunity to develop and expand,and had a wide impact on future generations,with continuous vitality and unique artistic achievements.When studying its development process,we can find that Huabu opera has a close relationship with the people.The author mainly analyzes the relationship between Huabu opera and the civilian class from three aspects:the lifeoriented acting behavior,common watching opera behavior and the acceptance of opera by both sides,which is the grass-roots nature of Huabu opera.

关 键 词：花部戏 草根性 接受心理 审美情趣 

分 类 号：I207[文学—中国文学]