论书法意象画面显现之差异性  

On the Discrepancy of the Calligraphy Imagery

作　　者：苏洪强[1] SU Hongqiang(Guangxi Science&Technology Normal University,Laibin 546199,China)

机构地区：[1]广西科技师范学院,广西来宾546199

出　　处：《广西科技师范学院学报》2022年第1期53-63,共11页Journal of Guangxi Science & Technology Normal University

摘　　要：无论是书法创作,还是书法欣赏,其过程皆为审美体验活动,审美主体美感的产生即是书法意象画面的显现。从创作来看,受制于材料性能、空间环境以及表现能力、情绪变化等诸多主客观因素的影响,书家胸中之象亦始终处于不断变化之中,因势赋形,势随情生,及至物化于纸上之时,文本所呈现之画面已非书家胸中之象。对欣赏而言,审美主体的审美感受受到人生阅历、文化素养、生命感悟、时空流变等诸多因素的影响,即使面对同样的文本画面,不同审美主体、不同时空,所显现的意象画面亦存在差异。同时,作为审美对象,不同的书法文本对审美主体的意象画面显现亦起引导、制约作用,故同样的审美主体面对不同的书法文本画面所显现的意象画面亦存在差异。Whether for creation or appreciation,the process of calligraphy is an aesthetic experience activity.From the perspective of creation,because of the influence of many subjective and objective factors such as material properties,space environment,expressive ability,emotional changes,the image in the mind of the calligrapher is always changing.Shaped by the situation,born by the emotion and materialized on the paper,the image presented in the text is no longer the image in the mind of the calligrapher.From the perspective of appreciation,the aesthetic subject’s aesthetic feeling is enslaved to life experience,artistic appreciation,life perception,time and space changes,etc.Even when facing the same text picture,there are differences in the imagery displayed by different aesthetic subject and different time and space.At the same time,as an aesthetic object,different calligraphy text also plays a guiding and restricting role in the appearance of the imagery of the aesthetic subject.Therefore,there are also differences in the appearance of imagery when facing different calligraphy texts by the same aesthetic subject.

关 键 词：书法 意象画面 差异性 

分 类 号：J292.1[艺术—美术]