《故都的秋》的审美情感类型解读  

Aesthetic Emotion Types in“Autumn in the Old Capital”

作　　者：熊江芳 粟斌[1] Xiong Jiangfang;Su Bin(College of Liberal Arts,China West Normal University,Nanchong 637000,China)

机构地区：[1]西华师范大学文学院,四川南充637000

出　　处：《洛阳师范学院学报》2022年第4期42-45,共4页Journal of Luoyang Normal University

摘　　要：在传统解读中,《故都的秋》一文的情感主旨为悲秋,文中“悲凉”一词似是有力的佐证。但研读文本后可以发现,《故都的秋》一文的审美情感并非传统解读中的苦痛类型,通过对写作背景、文本基调以及文本内容的分析,不难发现文章平静闲适的写作背景赋予了文章恬然的审美情感,悠闲舒缓的文本基调和写作内容表现出作者愉悦的审美情感。郁达夫受日本传统文学中“物哀”审美理念的影响,将传统悲秋的审美情感转化为了对美的欣赏,赋予了该文淡然超脱的精神气质。Traditionally,the emotional theme of“Autumn in the Old Capital”is sadness inspired by the autumn,and“sadness”constantly repeated in the text seems the powerful evidence.However,careful study of the text reveals that the aesthetic emotion in the text is not the kind of painful feelings traditionally assumed.An analysis of the writing background,mood,and content of the text idicates that the writing background of peace and tranquility of mind grants the work placid aesthetic emotion,and its leisurely and soothing mood and its content convey the author’s pleasant aesthetic emotion.Influenced by the aesthetic concept of“sorrow spurred by substance”in traditional Japanese literature,Yu Dafu transformed the traditional aesthetic emotion of sadness in autumn into the appreciation of beauty,giving the work a transcendent and detached spirituality.

关 键 词：故都 物哀 郁达夫 审美情感 

分 类 号：I207.6[文学—中国文学]