从雕塑精神到音乐精神——跨媒介视角中的西方绘画变迁  

From The Spirit of Sculpture to The Spirit of Music--The Changes of Western Painting in the Cross-Media Perspective

作　　者：卢文超[1] Lu Wenchao

机构地区：[1]东南大学艺术学院,江苏南京211189

出　　处：《学术研究》2022年第5期152-162,178,共12页Academic Research

基　　金：东南大学中央高校基本科研业务费专项资金资助。

摘　　要：文艺复兴以来,西方绘画确立了师法雕塑的原则,是否具有雕塑性成为绘画成败的关键因素。随着浪漫主义思潮的兴起,西方绘画不再师法雕塑,转而师法音乐。这在不少画家的作品中都有所体现。绘画不再追求对外在自然的如实复制,而是追求对内在情感的真切表达,音乐成为新的师法对象。西方绘画发生了从雕塑性到音乐性的精神变迁。中国绘画自古以来具有音乐精神,近代在西学东渐背景下转而师法雕塑。中西绘画精神发生了互转,此种现象值得回顾与反思。从跨媒介视角审视该问题,不仅对我们建构艺术史有所帮助,而且对改进艺术教育也有所启发。Since the Renaissance,Western painting has established the principle of imitating sculpture.Whether it is sculptural has become the key factor for the success or failure of painting.With the rise of Romanticism,Western painting no longer imitates sculpture,but music.This is reflected in the works of many painters.Painting no longer pursues the true representation of external nature,but the true expression of internal emotion.Music has become a new model of learning.Western painting has undergone a spiritual change from sculpture to music.Chinese painting has the spirit of music since ancient times.In modern times,as the Western learning spread to the East,it turned to imitate sculpture.The spirit of Chinese and Western painting has changed with each other,which is worthy of review and self-examination.Examining this problem in the cross-media perspective is not only helpful to our construction of art history,but also enlightening to the improvement of art education.

关 键 词：雕塑 音乐 绘画 跨媒介 绘画精神 

分 类 号：J0-02[艺术—艺术理论]