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作 者:简圣宇 JIAN Sheng-yu(School of Fine Arts and Design,Yangzhou University,Yangzhou 225009,Jiangsu,China)
机构地区:[1]扬州大学美术与设计学院,江苏扬州225009
出 处:《兰州文理学院学报(社会科学版)》2022年第3期22-27,共6页Journal of Lanzhou University of Arts and Science(Social Science Edition)
基 金:2020年度国家社科基金一般项目“中国传统意象理论的现代阐释研究”(20BZX131)。
摘 要:意境生成相关的核心问题需要在现代学科框架下进行重审,王建疆意境生成论的学理价值在于他细致而深入地推动了这一工作。其所提的“内审美”概念在文论研究中能将意境在意识中的具体生成样态阐释得更为清晰,而其所提的“修养美学”概念则揭示出了中国传统文论所包含的侧重于通过内在修养来实现精神净化的关键特征。其对意境理论中“自然”内涵的转型关键发展阶段的系统概括,以及对“景物”问题的研讨,将学界对意境理论所涉核心问题的理解推向了新的层次。The core issues related to the generation of Yijing(artistic conception)need to be reviewed within the framework of modern disciplines.The theoretical value of Wang Jianjiang’s theory of Yijing(artistic conception)generation lies in his meticulous and in-depth promotion of this work.The concept of internal aesthetics he has put forward can clarify the specific generation of Yijing(artistic conception)in consciousness more clearly in the study of literary theory.The concept of cultivation aesthetics he has put forward reveals the key features of traditional Chinese literary theory:focusing on achieving spiritual purification through internal cultivation.His systematic summary of the key development stages of the transformation of the connotation of natural in the theory of Yijing(artistic conception),as well as the discussion of the problem of scenery,have pushed the academic circles to a new level of understanding of the core issues involved in the theory of Yijing(artistic conception).
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