CG绘画教学与传统绘画教学之比较  

Comparison Between CG Painting Teaching and Traditional Painting Teaching

作　　者：陈惟[1] 游雪敏[1] CHEN Wei;YOU Xue-min(Sichuan Conservatory of Music,Chengdu Academy of Fine Arts,Chengdu 610500,China)

机构地区：[1]四川音乐学院成都美术学院,成都610500

出　　处：《绿色包装》2022年第4期32-34,共3页Green Packaging

基　　金：四川动漫研究中心2020年度项目(数码绘画教学创新基础思维研究DM202009);四川省社会科学重点研究基地四川动漫研究中心资助项目(DM202009)。

摘　　要：CG绘画即数码绘画经过20年的飞速发展,已经在绝大多数领域内取代了传统手绘的方式。在美术学院学生就业领域内几乎占据了90%以上需求。然而在基础教学阶段,大部分美术学院还是采用传统绘画的模式,不但在课程设置上严重滞后,在课程的衔接性和适用性上都显得很尴尬。一方面,基础教学的老师反复对学生强调基础训练的重要性,另外一方面学生发现后续的专业课程与基础训练阶段学到的东西很难有准确的对接。本人长期使用数码绘画进行一线的美术教学指导,针对的学生层次也非常多元化,所以将借由本文重点提出CG绘画对于高校美术教育基础课程建设的一些合理化建议。CG painting(digital painting)after the rapid development of the past 20 years,has replaced the traditional hand-drawn way in most fields.It accounts for more than 90 percent of the demand in the job market for art school students.However,in the basic teaching stage,most of the fine arts colleges still adopt the traditional painting mode,which not only lags seriously in the curriculum provision,but also appears awkward in the cohesion and applicability of the curriculum.On the one hand,teachers of basic teaching repeatedly emphasize the importance of basic training to students;on the other hand,students find it difficult to accurately connect the follow-up professional courses with what they have learned in the basic training stage.I have been using digital painting to guide art teaching for a long time,and the level of students is very diverse.Therefore,this paper will focus on putting forward some reasonable suggestions on CG painting for the construction of fundamental art teaching in colleges and universities.

关 键 词：CG绘画 美术基础教学 课程设置 

分 类 号：G642[文化科学—高等教育学] J2-39[文化科学—教育学]