数字技术与纪录片创作的主体性研究——以德国历史纪录片《德国城市》为例  

Digital technology and subjectivity of documentary creation:a case study of Deutschlands Städte

作　　者：林思宇 李春雷 LIN Siyu;LI Chunlei(School of Journalism and Communication,Guangzhou University,Guangzhou 510006,China)

机构地区：[1]广州大学新闻与传播学院,广东广州510006

出　　处：《南昌工程学院学报》2022年第2期55-61,共7页Journal of Nanchang Institute of Technology

基　　金：国家社会科学基金重大项目(21&ZD316)。

摘　　要：在数字技术迅猛发展的时代背景下,数字技术为历史纪录片提供了新的视觉表达路径,同时也带来了对历史纪录片创作主体的挑战,然而数字技术与历史纪录片创作的主体之间的内在关联,成为新媒体时代下历史纪录片发展不可回避的一个重要话题。文章以数字技术在德国历史纪录片《德国城市》中的应用作为研究文本,试图呈现数字技术对历史纪录片主体性创作过程中历史主体的真实性、创作主体的能动性、文化主体的价值性变迁等问题。并以芒福德人文主义技术哲学理论的视角,从数字技术本身的虚拟感、消费性、戏仿性出发分析数字技术与历史纪录片创作的主体性产生冲突的内在机理。同时,数字技术在历史纪录片创作的主体性当中是“双刃剑”的角色,在创作中应该对数字技术的消极作用“趋利避害”,最终达到人性与数字技术之间的协调发展。In the context of the prosperous development of digital technology,it provides new visual expression paths for historical documentaries,and meanwhile it brings challenges to the creative subjects of historical documentaries.The relationship between digital technology and the subjects of historical documentary creation,however,has become an important topic that cannot be avoided in the development of historical documentaries in the new media era.Taking the application of digital technology in the German historical documentary Deutschlands Städte as a research text,this paper attempts to present the ethical issues of digital technology’s erosion and alienation of the authenticity of the historical subject,the dynamism of the creative subject,and the value of the cultural subject in the process of creating the subjectivity of historical documentaries.With the vision of Mumford’s humanist philosophical theory of technology,the fundamental causes of the conflict between digital technology and the subjectivity of historical documentary creation are analyzed in terms of the virtual sense,consumerism and parodic nature of digital technology itself.The digital technology plays a“double-edged sword”role in the subjectivity of historical documentary creation,and that the negative effects of digital technology should be“avoided”so as to achieve a harmonious development between human nature and digital technology.Meanwhile we should try to find ways to mitigate the ethical conflict between digital technology and the subjectivity of historical documentary creation in an era of booming digital technology,and to find different dimensions for thinking about the development of historical documentary.

关 键 词：历史纪录片 主体性 人文主义技术哲学 数字技术 

分 类 号：G21[文化科学—新闻学]