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作 者:刘江[1] 张生珍 LIU Jiang;ZHANG Shengzhen(Faculty of Foreign Studies,Beiing Language and Culture University,Beijing 100083,China)
出 处:《上海交通大学学报(哲学社会科学版)》2022年第3期134-142,共9页Journal of Shanghai Jiao tong University(Philosophy and Social Sciences)
基 金:国家社科基金重大项目“《世界儿童文学百科全书》翻译及儿童文学批评史研究”(编号:19ZDA297);北京语言大学校级项目(中央高校基本科研业务费专项资金资助项目“新时代英美青少年文学新发展研究”)(编号:20YBB23)。
摘 要:儿童文学中“隐藏的成人”构成的双重叙述声音,形成了与生俱来的双重叙事动力。传统儿童文学中,成人叙述声音所主导的隐性叙事进程往往压迫和颠覆了面向儿童的故事情节发展。但在世纪之交以来的儿童文学之中,成人叙述声音更为隐蔽,甚至呈现完全隐退的态势,成人叙述声音所形成的隐蔽的表意轨道引导故事中的儿童成长,同时也引导儿童读者与儿童主人公作出相同选择。双重叙事进程形成相互补充的动力关系。本研究借助申丹的双重叙事进程理论,以菲利普·普尔曼的《黑暗物质》三部曲为范例,考察儿童文学中互为补充的双重叙事动力,以此揭示儿童文学不同于成人文学的独特叙事特性。The dual narrative voice of“hidden adults”in children's literature forms the innate dual narrative power.In traditional children's literature,the covert progression dominated by the voice of adult narration often suppresses and subverts the plot for children's story.However,in children's literature since the turn of the century,adult narrative voice is more hidden,and even in a situation of complete retreat.The hidden ideographic track formed by adult narrative voice not only guides the growth of children in the story,but also leads the child readers to comply with the child protagonists.Therefore,the dual narrative process forms complementary dynamic relations.With the help of Shen Dan's dual narrative process theory and taking Philip Pullman's trilogy His Dark Materials as an example,this paper explores the complementary dual narrative dynamics in children's literature that are different from its adult counterpart.
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