论中国新时期“文学审美意识形态”论的研究范式  

Research Paradigm of"Literary Aesthetic Ideology"in the New Period

作　　者：孙桂芝 Sun Guizhi(College of Liberal Arts,Liaoning University,Shenyang,Liaoning 110136,China)

机构地区：[1]辽宁大学文学院,辽宁沈阳110136

出　　处：《河北工业大学学报（社会科学版）》2022年第2期28-33,共6页Journal of Hebei University of Technology：Social Sciences Edition

基　　金：国家社会科学基金重大项目(19ZDA266)。

摘　　要：谈及文学本质是什么,“文学审美意识形态”论无疑是中国现当代文艺研究重要理论话语。一方面如果把20世纪20年代中国艺术理论领域接触马克思主义“意识形态”当作“文学审美意识形态”论的肇始期,那么至今已历时百年。同时,从参与此理论范畴思辨的学者数量以及话题凝聚力看,“文学审美意识形态”论也具有高的研究热度。有什么样的研究方法就有什么样的研究结果,比较“文学审美意识形态”论领域具有代表性学者理论研究范式,有助于学界厘清中国“文学审美意识形态”理论体系兼具整体性和差异性的根本原因,也将有助于关于文学本质问题的进一步探讨。When it comes to the essence of literature,the theory of"literary aesthetic ideology"is undoubtedly a crucial theoretical discourse in modern and contemporary Chinese literature and art research."Literary aesthetic ideology"will have a hundred years'history if we regard its contact with Marxist"ideology"in the field of Chinese art theory in the 1920s as its beginning.From the number of related scholars and topics,"literary aesthetic ideology"is also a heated field.An analysis of representative scholars and their theoretical paradigms will help us understand the theory in regard to its integrity and difference.Meanwhile,it will also contribute to the further discussion on the essence of literature.

关 键 词：文学 审美意识形态 范式 诠释主义 解释 

分 类 号：I206[文学—中国文学]