他者凝视与主体认知——横光利一《上海》中的东方想象与身份认同  

Gaze of the Other and the Subject's Cognitivity——Oriental Imagination and Identity Recognition in Yokomitsu Riichi's Shanghai

作　　者：王雅麒 陈婷婷[1] Wang Yaqi;Chen Tingting(School of Foreign Languages,Anhui University,Hefei,Anhui 230000,China)

机构地区：[1]安徽大学外语学院,安徽合肥230000

出　　处：《河北工业大学学报（社会科学版）》2022年第2期34-40,共7页Journal of Hebei University of Technology：Social Sciences Edition

摘　　要：《上海》是日本近代文坛的新感觉派骁将横光利一的代表作,见证了他在文学创作与政治思想两方面同步发生的重要转折。在《上海》中,横光利一描绘了一个颇具特色的中国城市,而这个肮脏混乱却独具魅力的上海一方面是他对异国他乡进行他者凝视后的特殊产物,另一方面则是他尝试摆脱自身分裂、寻求身份认同的强力证明。立足于近代日本作家对中国的独特情感及其矛盾的身份认知分析《上海》这一文本,并从城市、中国人和革命运动三个方面展现横光利一对上海进行的错误书写,通过主人公虚无的人生体验探究作者误写上海的深层原因以及他寻求的身份认同,最终达到揭露近代日本侵略过程中愈发不加遮掩的种族优越思想的目的。Shanghai is one of the representative works of Yokomitsu Riichi,a leading figure of Neo-sensationalism school in modern Japanese literature,and witnesses an important change both in Yokomitsu's literature and political thoughts.In Shanghai,Yokomitsu delineates a distinctive Chinese city Shanghai,filthy,chaotic but attractive.The city represents a peculiar product of his other-gazing to a foreign land and powerfully demonstrates his attempts to escape his own division and seek identity.Based on the unique feelings of modern Japanese writers towards China and their contradictory identity cognition,this paper expounds Yokomitsu Riichi's misunderstandings of Shanghai from three aspects of the city,the Chinese people and the revolutionary movement.Through an analysis of the protagonist's nihilistic life experience,it explores underlying reasons for the author's misunderstanding of Shanghai and reveals the increasingly undisguised racial superiority in the process of Japanese aggression.

关 键 词：横光利一 《上海》 五卅运动 他者 身份认同 

分 类 号：I106.5[文学—世界文学]