“积淀说”的反思与重释“新感性”  

A Reflection on the Theory of “Sedimentation” and a Reinterpretation of “New Sensuousness”

作　　者：高建平 GAO Jianping

机构地区：[1]深圳大学人文学院,广东深圳518061

出　　处：《学术月刊》2022年第3期183-192,共10页Academic Monthly

摘　　要：“积淀说”在当代中国美学和哲学中影响巨大,但这一理论有着严重缺陷。首先,这种理论所持的理性积淀为感性的思路,造成美学的过度理性化;其次,内容积淀为形式忽视了形式有着自身独特的、不依赖内容的起源;再次,对“实践”也不能理解为依照理性来实施行动,而应该理解为“感性活动”。最后,“新感性”要建立在“实践”基础之上,它既不能变成“理性的感性呈现”,也不能看成是原始本能的激情迸发。“新感性”是感性经验的积累,感性生命力的焕发,也是感性与理性的互动。Despite its significant influence in contemporary Chinese aesthetics and philosophy,the theory of “sedimentation” has serious flaws.First of all,this theory upholds the idea that sensuousness is the result of the accumulation of reason,which has given rise to the excessive rationalization of aesthetics.Secondly,the sedimentation of content fails to take into consideration the unique origins of form which do not depend upon the content.Thirdly,“Practice” ought not to be understood as action being carried out according to reason,but as “ sensuous activity”.The present article concludes with a discussion centered on “ new sensuousness”,and argues that this concept can neither be seen as a “sensuous presentation of reason”,nor as a passionate outburst of primal instincts.“New sensuousness” is in fact an accumulation of sensuous experience,the renewal of sensuous vitality,and the interaction between sensuousness and reason.

关 键 词：“积淀说” 李泽厚 实践 新感性 

分 类 号：B83[哲学宗教—美学]