作为形式的艺术——王国维“古雅说”对康德形式主义美学的继承与发挥  

Art as Form——On the Inheritance and Development of Kant's Formalism in Wang Guowei's“Doctrine of Classical Elegance”

作　　者：张运 Zhang Yun(Department of Philosophy,Anhui University,Hefei,Anhui 230039)

机构地区：[1]安徽大学哲学学院,安徽合肥230039

出　　处：《嘉兴学院学报》2022年第4期20-25,共6页Journal of Jiaxing University

摘　　要：一般认为,康德美学中的形式主义与表现论思想之间存在矛盾,后者偏离了前者的基本立场。王国维的“古雅说”在接受康德形式主义美学观点的同时对其作了一定的发挥,通过对“形式”以及“表现”的重新阐释,实际上将“无利害”拔高到了美学中形式主义的第一原则的位置,从而使形式主义在逻辑上能够将艺术容纳进去。这种对康德形式主义的重新理解为“古雅之在美学上之位置”这一问题的回答提供了理论基础,是王国维整个“古雅说”的立足之本。It is generally believed that there is a contradiction between the formalism and the theory of expression in Kant's aesthetics:the latter deviates from the basic position of the former.Wang Guowei's doctrine of“classical ele-gance”absorbs and develops Kant's formalism.Through a reinterpretation of form and expression,he actually elevates disinterestedness as the first principle of aesthetic formalism so that formalism can logically accommodate art.This re-interpretation of Kant's formalism provides a theoretical basis for answering the question of“the position of the classical elegance in aesthetics”,which is the foundation of Wang Guowei's“doctrine of classical elegance”.

关 键 词：形式主义 表现论 古雅说 艺术 康德 王国维 

分 类 号：B83[哲学宗教—美学]