明清小说评赏中的“染”术语家族及其功用  

The"Dyeing"Term Family and Its Function in the Criticism of Novels During Ming and Qing Dynasties

作　　者：李婧 Li Jing

机构地区：[1]山东大学文学院

出　　处：《励耘学刊》2022年第1期58-76,M0005,M0006,共21页

基　　金：国家社会科学基金重大项目“中国古代小说理论术语考释与谱系建构”,项目编号:19ZDA247。

摘　　要：在明清小说评赏,尤其是关于叙事写人文本评赏中,人们常引入或化用绘画中的各种染法术语。这些拟画评赏术语数量繁多,形成一个较为庞大的术语家族。这个术语家族可分为渲染、衬染、点染、烘染及皴染等五大支脉。就其审美功能而言,五大染法术语支脉涉及小说文本创构中的落墨而染、染而成色、组色构图、构图成画以及落墨之浓淡、笔法之虚实乃至色调之冷暖等方面。总之,“染”术语家族的综合、灵活运用,显示出评赏者运用观画眼光审视小说叙事写人美感的能力,也有助于开拓读者欣赏小说文本的视野和思路。About the novels in the Ming and Qing dynasties,people often use various dyeing and painting terms to evaluate the narrative and writing skills of novels.These novel criticism terms which are co-opted from the theory of pain ting are numerous enough to form a huge term family.This term family can be divided into five branches:rendering,lining dyeing,spot dyeing,baking dyeing and texturing dyeing.As far as its aesthetic function is concerned,the five branches of dyeing terms are related to the falling ink and dyeing,dyeing and color,color composition,the intensity of painting and coloring,the distance and reality of composition,and even the coldness and heat of painting.In a word,the comprehensive and flexible use of the term"dyeing"family shows the ability of critics to examine the beauty of novel narration and writing from the perspective of painting,and also helps to open the vision and ideas of readers to appreciate the novel text.

关 键 词：染法术语 以画论稗 叙事 写人 画境 

分 类 号：I207.41[文学—中国文学] K248[历史地理—历史学]