个人主义与共同体的协奏曲——论海明威《丧钟为谁而鸣》中的共同体意识  被引量:1

The Concerto of Individualism and Community——On Hemingway’s sense of community in For Whom the Bell Tolls

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作  者:宋德发[1] 王玲霞 SONG De-fa;WANG Ling-xia(School of Literature and Journalism,Xiangtan University,Xiangtan,Hunan 411105,China)

机构地区:[1]湘潭大学文学与新闻学院,湖南湘潭411105

出  处:《湘潭大学学报(哲学社会科学版)》2022年第4期142-145,共4页Journal of Xiangtan University:Philosophy And Social Sciences

基  金:湖南省研究生科研创新项目“海明威笔下的非洲形象研究”(CX20210586)。

摘  要:在海明威的小说《丧钟为谁而鸣》中,西班牙人民在内战的暴力摧残下,面临着家庭共同体、信仰共同体和民族共同体的全面崩溃。但他们并未因此丧失个体的生命意识,而是在战乱中积极建立自我和他者的亲密关系,竭尽所能地重构和维护“家庭”共同体,信仰共同体和命运共同体,从共同体中获得温暖和救赎,谱写了一首个人主义与共同体的协奏曲,实现了对西方个人主义与共同体二元对立思想的超越。In Hemingway’s novel For Whom the Bell Tolls,the Spanish people were faced with the complete collapse of their family community,faith community and national community under the violent destruction of the civil war.However,they did not lose their individual life consciousness.They actively established an intimate relationship between themselves and others during the war,and tried their best to reconstruct and maintain the"family"community,faith community and community with a shared future,from which they gained warmth and salvation.Thus,they composed a concerto of individualism and community,and achieved the transcendence over the binary opposition thinking of individualism and community in the West.

关 键 词:海明威 《丧钟为谁而鸣》 家庭共同体 信仰共同体 命运共同体 

分 类 号:I0-03[文学—文学理论]

 

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