儒家传统文化对近代日本“自由”概念的影响——以中江兆民与江原素六的阐述为例  

The Influence of Confucian Culture on the Concept of"Jiyuu"in Modern Japan:A Case Study on Chōmin Nakae and Soroku Ebara

作　　者：小岛毅 孙若圣(译) Tsuyoshi Kojima;Sun Ruosheng(The University of Tokyo,Japan Intellectual History of China;Shanghai University,China Intellectual History of Post-war Japan)

机构地区：[1]东京大学人文社会系 [2]上海大学外国语学院

出　　处：《日语学习与研究》2022年第3期1-11,共11页Journal of Japanese Language Study and Research

摘　　要：文章通过考察中江兆民和江原素六的言说,分析了在19世纪后半叶的日本,掌握传统儒学思想的知识分子在接受“自由”一词时并非将其视作西方思想的借用物,而是将其视作根植于自古以来传统中的自有之物。其中中江兆民将“自由”作为翻译概念所产生的新意义与《论语》中的“由己”联系起来,并通过朱子学的解释将其置于人们内心构造中的基底部分。对江原素六来说,所谓“自由”,就是拒绝包括掌权者在内的他者之束缚,并且在此状况中约束自己,这也是江原认可的朱子学理想中的人物形象。By investigating the words of Chōmin Nakae and Soroku Ebara,and analyzing Japan in the second half of the 19th century,this paper knows about that intellectuals who mastered Confucian thought accepted the word"Jiyuu"not as a borrowing of Western thought,but as a self-generated thing rooted in the traditions of Japan since ancient times.Among them,Chōmin Nakae linked the new meaning of"Jiyuu"to a translated concept of"self"in the Analects of Confucius,and placed it at the base part of people’s inner structure through Zhuzixue’s interpretation.For Soroku Ebara,the meaning of"Jiyuu"is to restrict oneself from any situation that constrains others,including those in power.This coincides with the characters in Zhuzixue’s ideal.

关 键 词：儒学 自由 中江兆民 江原素六 

分 类 号：B222[哲学宗教—中国哲学] B313.4