旅游、表演和节日创造:日本北海道原住民阿伊努的传统再造  

Tourism,Performance and Festival Creation:The Reinvention of the Indigenous Ainu Tradition in Hokkaido Japan

作　　者：王宁彤 Wang Ningtong

机构地区：[1]中国传媒大学传播研究院 [2]中国电影频道(CCTV6)

出　　处：《公共艺术》2022年第2期76-84,共9页Public Art

摘　　要：阿伊努是日本明治维新以来“大和化”了的原住民,其语言和传统文化基本在日常生活中消失。随着20世纪60年代兴起的世界原住民运动,他们重新出现,不仅成了国家久远历史的象征,也是多元文化的展示载体。尤其在和旅游文化的结合中,传统被重新生产以创造自身,新的节日被创造以连接族群的精神共识,在东道主和游客的互动中,阿伊努在日本的地位发生了重大的改变。Ainu,the indigenous habitants in Japan that were assimilated with Yamato after Meiji reform.Their language and tradition have disappeared from daily life.With the emerging indigenous movement in the 1960s,Ainu reappeared on the stage as a symbol of long history and multi-cultural representation in Japan.Especially in tourism culture:traditions were revived for self-identification.New festivals were invented to reconnect with the past.Through the interaction between tourists and the host,a significant change in the status of Ainu occurs.

关 键 词：旅游 传统 记忆 再造 认同 阿伊努 

分 类 号：J131.3[艺术—艺术理论] G131.3[文化科学] F593.13[经济管理—旅游管理]