时空重组:电影对建筑空间设计的启发  

The Reorganization of Time and Space: The Inspiration of Film for Architectural Space Design

作　　者：姜兆捷 郑志[2] Jiang Zhaojie;Zheng Zhi

机构地区：[1]华侨大学 [2]华侨大学建筑学院

出　　处：《中外建筑》2022年第7期103-108,共6页Chinese & Overseas Architecture

基　　金：国家自然科学基金面上项目(编号:51578250)。

摘　　要：在视觉层面上,电影突破了时间和空间的限制,带给我们特殊的情感体验,对建筑空间组织设计有很大启发。文章在论证电影与建筑的多重相似性的基础上,提出电影艺术对建筑时空设计存在可借鉴意义。通过电影与建筑的特色时空设计案例,总结出建筑设计针对静态空间、线性时空、时空蒙太奇三类时空的设计手法,探索基于动态视觉感知的建筑空间组织与氛围营造。On the visual level, the film breaks through the limitation of time and space, brings us special emotional experience,and has great inspiration for the organization and design of architectural space. On the basis of demonstrating the multiple similarities between film and architecture, the paper puts forward that film art can be used for reference in space-time design of architecture. Through the characteristic space-time design cases of movies and architecture, the paper summarizes the design techniques of static space, linear space and time montage in architectural design, and explores the spatial organization and atmosphere creation of architecture based on dynamic visual perception.

关 键 词：时空结构 视觉感知 蒙太奇 空间设计 

分 类 号：TU242[建筑科学—建筑设计及理论]