随物赋形:三苏以水喻文与“自然”诗学观的建构  

Accompanying Things with Shapes:Three Sus’Water Metaphor and the Construction of“Natural”Poetic View

作　　者：张文利[1] ZHANG Wenli(School of Chinese Language and Literature,Northwest University,Xi’an 710127,China)

机构地区：[1]西北大学文学院,陕西西安710127

出　　处：《中北大学学报（社会科学版）》2022年第5期1-7,共7页Journal of North University of China：Social Science Edition

基　　金：国家社会科学基金项目:唐宋转型与宋代家学、家风及文学研究(17BZW101)。

摘　　要：北宋三苏父子以水喻文,推崇“自然”诗境,形成父子相承、兄弟相应的文学观念,并且践履于他们的文学创作及批评中。三苏以水喻文的“自然”诗学观的建构,与蜀学三教合一的思想特质密切相关,《东坡易传》以道家思想解释儒家经典,为三苏“水喻”奠定了哲学底蕴。三苏不仅描绘自然之水,也以水的随物赋形品评文学的自然境界。三苏以水喻文,形成“自然”诗学的家学传承,同时,也彰显了鲜明优秀的文学个性。Three Sus(Su Xun,Su Shi and Su Zhe)in the Northern Song Dynasty formed their literary views based on their water metaphor and natural poetics and used these views in their literary works and critics.The construction of"natural"poetics view of three Sus is closely related to the"three religions in one"of the Shu school.Dongpo Yi Zhuan interprets Confucian classics with Taoism,which lays the philosophical foundation for Three Sus'water metaphor.Three Sus not only described the water of nature but also commented on the nature of literature by writing that flows like water.Three Sus’comparison of water and literature is the tradition of the Su family and reflects their excellent literary personality.

关 键 词：三苏 以水喻文 “自然”诗学观 随物赋形 《东坡易传》 

分 类 号：I207.22[文学—中国文学]