审美灵境论--关于“审美对象”的一种回答  

On Ethereality of Aesthetic--An Answer about''Aesthetic Object"

作　　者：刘旭光 LIU Xuguang

机构地区：[1]上海大学文学院,上海200444

出　　处：《学术月刊》2022年第7期149-160,共12页Academic Monthly

基　　金：国家社会科学基金重点项目“‘审美’的观念演进与当下形态研究”(18AZW003);国家社会科学基金艺术学重大项目“中国近代以来艺术中的审美理论话语研究”(20ZD28)的阶段性成果。

摘　　要：在审美和艺术作品中,有一种可以感受到但无法进行理性分析的精神性的因素,它既是情感性的,又具有“理念”的一般性;既像是欣赏者的心灵状态,又像是对象的存在状态,这种说不清但可以感受到的“精神”,康德称之为“审美理念”并对其进行了初步阐释,其后那些具有丰富审美经验的美学家,传承了对这一“精神”的直观与感悟,并将之视为审美真正的对象。这一“精神”我称之为审美灵境,它在现代美学中得到了理论上的彰显,并建立起一种独特的审美对象观。审美灵境是真正自由的审美对象,是审美这一行为的真谛所在,也是中西审美精神的共鸣之处。There is a spiritual factor that can.be felt but cannot be analyzed rationally in the aesthetic and artistic works,which is both emotional and general or likes both the state of mind of the viewer and the state of being of the object.Kant calls the indefinable but perceptible"spirit"as"aesthetic idea".He got a preliminary interpretation to it,and then those who really have the capacity of aesthetic appreciation inherit the intuition and perception of this"spirit",and regard it as the real object of aesthetics.Kant has initiated this aesthetic inspiration land,which gleams explicitly or implicitly in modern aesthetic history and critical theory.It is the true meaning of aesthetics,the uniqueness of aesthetic behavior and the resonance of Chinese and Western aesthetic spirit.

关 键 词：审美 审美理念 精神 审美灵境 审美质素 

分 类 号：B83[哲学宗教—美学]