试论宋代人物画写实求真的造型观  

On the Realistic Modeling View of Figure Painting in the Song Dynasty

作　　者：李戈晔 Li Geye

机构地区：[1]上海美术学院

出　　处：《美术》2022年第8期136-137,共2页Art Magazine

摘　　要：中国人物画造型不仅是创造客观对象的“形”,还包括使人物鲜活起来的“神”,“形”与“神”缺一不可。宋代人物画造型艺术风格在晚唐、五代的基础之上,进一步发展了“形神论”,追求造型准确、形象传神,注重主观意象的表现,追求写实观念下的“真性情”,从而形成了宋代人物画写实求真的造型观。The modeling of Chinese figure painting not only creates the "form" of objective entities but also the "spirit" of making characters lively. Both "form" and "spirit" are indispensable. On the basis of the late Tang and the Five Dynasties, the modeling art style of figure painting in the Song Dynasty further developed the "form and spirit" theory, pursued accurate modeling and vivid performance, focused on the expression of subjective images, and sought the "true temperament" under the concept of realistic fidelity,thus forming the realistic modeling view of figure painting in the Song Dynasty.

关 键 词：宋代人物画 写实 求真 造型观 

分 类 号：J205[艺术—美术]