从《喻世明言》的入话看话本开篇的演变  

The Evolution of the Beginning of the Novel from Its Introduction

作　　者：肖向明[1] 杨林夕[1] 张美莹 Xiao Xiang-ming;Yang Lin-xi;Zhang mei-ying(Guangdong Huizhou College,Huizhou Guangdong 516001)

机构地区：[1]广东惠州学院,广东惠州516001

出　　处：《河西学院学报》2022年第4期50-57,共8页Journal of Hexi University

基　　金：广东省教育厅项目“以聊斋志异为代表的文言小说开篇研究”(项目编号:2018WTSCX148)。

摘　　要：《喻世明言》的入话类型可以分为四种:诗词、诗词+闲话、诗词+故事、诗词+闲话+故事。《喻世明言》作为“三言”最早问世的具有代表性的作品,继承了唐宋元话本小说的入话而又有所发展,在话本小说入话的发展中具有过渡性:较之《清平山堂话本》的入话形式更完备,入话和正话关系更紧密,强调了教化功能。与“二拍”相比,“二拍”的入话形式更规范,入话的篇幅更长,承担着更大的劝善惩恶的任务。“Yu Shi Ming Yan”can be divided into four types of words:poetry,poetry + gossip,poetry + story,poetry + gossip + story. As one of the“three Languages”,Yushi Mingyan inherits and develops the Huaben novels in Tang,Song,and Yuan dynasties,and has a transitional character in the development of Huaben novels:compared with Qingping Shantang Huaben novels,the form is more complete,the relationship between Ruhua and Zhenghua is closer,and the function of enlightenment is emphasized. Compared with“Erpai”,“Erpai”has a more standardized form,a longer length,and undertakes a greater task of persuading good and punishing evil.

关 键 词：《喻世明言》 入话 分类 清平山堂话本 “二拍” 价值 

分 类 号：I207[文学—中国文学]