基于《隐逸传》视角的艺术母题“在场”与主题“出场”的意义  

Meaning of the Artistic Motif’s Presence and the Theme’s Appearance Based on the Perspective of The Biography of the Hermits

作　　者：赫云[1,2] 李倍雷 He Yun;Li Beilei(School of Arts,Southeast University,Nanjing,Jiangsu,211189)

机构地区：[1]东南大学艺术学院,江苏南京211189 [2]东南大学博士后流动站

出　　处：《民族艺术研究》2022年第4期14-23,共10页Ethnic Art Studies

基　　金：2020年度教育部人文社科课题“中国传统艺术母题学与主题学理论和方法建构”(项目批准号:2020YJA760022)的阶段性研究成果。

摘　　要：《隐逸传》是印证图像隐逸主题最有价值的史料文献,同时还可以看到隐逸的各种类型主题。主题学理论以艺术中的历时性与共时性母题与主题为研究对象,阐释艺术母题“在场”与主题“出场”的含义及其隐喻,同时还可以通过对纵横绵延的艺术母题与主题的爬梳,探寻历时性与共时性中艺术母题“在场”与主题“出场”演变脉络对艺术史的流变所产生的影响,把握其艺术母题“在场”与主题“出场”的横向传播与纵向传承,揭示艺术变迁的历史渊源与历史流变的关联因果。这些现象在《隐逸传》中皆可得到印证。The Biography of the Hermits is the most valuable historical document to prove the theme of recluse in images,as well as to see various types of themes of recluse.Thematic theory is based on the study of the diachronicity and synchronicity of themes and motifs in art,explaining the meaning of artistic motif’s presence and theme’s appearance and metaphors.It is also possible,through the study of artistic motifs and themes vertically and horizontally,to explore the influence of the evolution of artistic motif’s presence and theme’s appearance on the flow of art history,to grasp the horizontal transmission and vertical transmission of its artistic motif’s presence and thematic appearance,to reveal the relationship of cause and effect between historical origins and historical flow in art changes.All these phenomena are evident in The Biography of the Hermits.

关 键 词：《隐逸传》 母题在场 主题出场 历时性 共时性 

分 类 号：J110.9[艺术—艺术理论]