“甲午”电影背后的船政文化--兼论学以致用与中体西用  

Mawei Shipyard Culture Behinds the Movies of Sino-Japanese War:On Learning for Application and Chinese Essence and Western Utility

作　　者：戴红宇 程晓燕 DAI Hongyu;CHENG Xiaoyan(College of Marxism,Sanming University,Sanming Fujian 365004,China;Researgh Center of Fujian and Taiwan Academy and Application Culture,Sanming University,Sanming Fujian 365004,China)

机构地区：[1]三明学院马克思主义学院,福建三明365004 [2]三明学院闽台书院与经世致用文化研究中心,福建三明365004

出　　处：《兰州工业学院学报》2022年第4期118-122,共5页Journal of Lanzhou Institute of Technology

基　　金：福建省“闽台书院与经世致用文化研究中心”基地重大项目(FJ2020MJDZ037);2021年福建省大学生创新创业训练计划立项项目(S202111311058)。

摘　　要：甲午中日之战是近代中国历史发展的转折点。清政府的失败加深了中国半封建半殖民地的社会性质,同时也宣告了“师夷长技以自强”的洋务运动失败,“中体西用”钳制了“学以致用”的文化精髓。电影《甲午风云》《甲午大海战》等对当时的海战虽有呈现,但对甲午战争失败的要素反思不足,尤其对甲午海战船政文化反思不足,致使中国海权意识淹没在历史故事之中。因此,加强海权意识的强国文化教育,是当代爱国主义教育的重要组成部分。The Sino-Japanese War of 1894-1895 is an important turning point in Modern Chinese History.The failure of the Qing government deepened the nature of China's semi-feudal and semi-colonial society.At the same time,it also declared the failure of the Westernization Movement of"Learning from foreigners and developing skills to improve oneself",and the shipping culture supported by it"applying Chinese culture to the west"suppressed the cultural essence of"applying knowledge to practice".The films of"The Battle of 1894"and"The Sino-Japanese at Sea 1894"presented naval battle at that time,but they did not reflect the element of failure of the Sino-Japanese Sea War,especially on the Mawei Shipyard Administration Culture,resulting in the consciousness of China's power being submerged in history stories.Therefore,it is an important part of contemporary patriotism education to strengthen the cultural education of powerful countries with the awareness of sea power.

关 键 词：爱国主义电影 船政文化 中体西用 海权意识 

分 类 号：G619.29[文化科学—学前教育学]