从语言规律到文学形象——以老舍《草原》的景色描写为例  

From the Language Law to Literary Image——Taking Grassland Written by LaoShe for Example

作　　者：卜师霞[1] Bu Shixia(Research Center for Folklore,Classics and Chinese Characters,Beijing Normal University,Beijing,100875)

机构地区：[1]北京师范大学民俗典籍文字研究中心、中国文字整理与规范研究中心,北京100875

出　　处：《语文学刊》2022年第4期54-58,共5页Journal of Language and Literature Studies

基　　金：国家社会科学基金冷门绝学研究专项团队项目“中国训诂学的理论总结与现代转型”(20VJXT015)阶段性研究成果。

摘　　要：老舍是文学创作的巨匠,也是语言艺术的大师,在谈到创作语言时,曾说写作“句句要打埋伏”。老舍对语言文字的认识在其创作中有鲜明的体现,在《草原》的第一段景色描写中,老舍在文章结构上对《敕勒川》的继承、遣词造句对“柔美”的呼应与表现、在情感表达上的层层递进均可以看到作者对语言表达规律的纯熟运用。作为读者,则需要运用语言规律的分析进行鉴赏,从而达到通过语言对文学形象的还原。LaoShe, a master of literary creation as well as of language arts, emphasized the necessityto burry the foreshadowingin every sentence to echoeach other when an author is writing, obviouslyembodied in his literary creation. In the scene description in the first paragraph of Grassland, LaoShe showed the proficientapplication for the law of language expression, specifically embodiedin the inheritance of ChileChuan, the performance for delicate beauty of diction and the cumulative progression in emotional expression. As for readers, torestoreliterary images in literary works, using language law to appreciate these works is needed.

关 键 词：语言规律 文学形象 老舍 

分 类 号：H15[语言文字—汉语]