民俗视野与审美情趣:论宋元小说话本的民俗书写  

Folklore Vision and Aesthetic Taste:On the Folklore Writing of Song and Yuan Story-Teller’s Scripts Novels

作　　者：梅东伟[1] Mei Dongwei

机构地区：[1]河南大学黄河文明与可持续发展研究中心,河南开封475001

出　　处：《中原文化研究》2022年第5期122-128,共7页The Central Plains Culture Research

基　　金：河南省哲学社会科学规划一般项目“明清通俗小说的神灵塑造与当代价值研究”(2019BWX002)阶段性成果。

摘　　要：民俗书写是古代小说叙事中普遍存在的文化现象,对于宋元小说话本而言,它是“程式化”文本建构的重要方式和获取受众青睐的必然选择;宋元小说话本对民俗生活的广泛关注,使小说的文本叙事无形中表现出鲜明的“民俗”视野,它贯穿于人物群像的塑造、叙述情节的构筑和小说叙事时空的选择;在这种“无处不在”的民俗书写中,小说家以“民俗生活”故事为载体,实现了审美情趣和教化价值的表达与传递;宋元小说话本对民俗生活的广泛关注和叙事运用,在通俗小说史上有着重要的开创意义。Folklore writing is a common cultural phenomenon in the narration of ancient novels.For story-teller’s scripts novels of the Song and Yuan Dynasties,it is an important way of text“stylization”construction and an inevitable choice to win the favor of the audience.The extensive attention paid to folklore life in Song and Yuan story-teller’s scripts novels brings out the novel narrative a distinctive“folklore vision”,which runs through the shaping of characters,the construction of narrative plots and the novelist’s choice of narrative time and space.In this ubiquitous folklore writing,novelists take“the stories of folklore life”as the carrier to realize the expression and transmission of aesthetic interest and educational value.The extensive attention and narrative application of Song and Yuan story-teller’s scripts novels to folklore life has important pioneering value in the history of popular novels.

关 键 词：宋元小说话本 民俗书写 程式化 民俗视野 审美情趣 

分 类 号：I206.2[文学—中国文学]