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作 者:陈思宇[1] 孔月[1] CHEN Siyu;KONG Yue(Dalian University of Technology,Dalian Liaoning,116024,China)
机构地区:[1]大连理工大学,辽宁大连116024
出 处:《文化创新比较研究》2022年第12期14-17,31,共5页Comparative Study of Cultural Innovation
摘 要:人类自出生开始便生活在光怪陆离的世界中,在与各式色彩的接触中建立着自己的审美意识。随着时代的变迁,色彩也被赋予了丰富的象征意义。该文从宫泽贤治的诸多童话中选取了以银河为舞台的三部作品——《双子星》《夜鹰之星》及《银河铁道之夜》,从中筛选出日本上代四种基本色之一且与日本民族渊源极深的青色,结合文本与文脉对其进行分析。旨在利用色彩的表意性及多义性特征,对宫泽贤治的三部作品进行重新解读,使过去的文学作品焕发新的生机。Living in a colorful world, since birth, human beings have formed their own aesthetic consciousness through the contact with various colors. With the development of the times, colors have also been endowed with abundant symbolic meanings. This paper is developed based on three fairy tales by Kenji Miyazawa——Little Twin Stars,Nightawk Star and Night of Galactic Railroad, which all set in the galaxy. Teal, which is one of the four basic colors in ancient Japan and has a deep connection with the Japanese nation, is analyzed in combination with the text and context. This paper aims to reinterpret three works of Kenji Miyazawa by using the ideographic and polysemy features of colors, so as to rejuvenate the literary works of the past.
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