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作 者:谷鹏飞[1] Gu Pengfei
机构地区:[1]西北大学文学院,西安710127
出 处:《中国高校社会科学》2022年第5期134-143,160,共11页Social Sciences in Chinese Higher Education Institutions
摘 要:李泽厚的阐释学思想是其人类学本体论哲学或实践哲学的内在组成部分,它以美与艺术作品的终极根源为阐释前提,以美与艺术的当下意义为阐释对象,以人类学本体论或实践哲学为具体的阐释语境,通过对美与艺术作品的图像学要素作人类学本体论的扩展,使阐释学成为一种勾连美与艺术作品的形式层、形象层、意味层的实践性与创造性理解活动。这种活动因其同时包含了情境阐释、作品阐释与观念阐释的修辞学阐释要素,因而可笼扩为修辞学的阐释学方法。对于语言性文本,李泽厚通过文本阐释(“译”)、文化阐释(“注”)、历史阐释(“记”)所建构的“哲学性阐释”,实际上仍是一种区别于“考据性阐释”的“修辞学的阐释学”,内在地包含了修辞学的阐释学的全部要素,并可涵括为修辞学阐释的重要中国形态。Li Zehou’s hermeneutic thought is an internal part of his anthropological ontology philosophy or practical philosophy.It takes the ultimate origin of beauty and artistic works as the premise of interpretation,the present meaning of beauty and art as the object of interpretation,and the anthropological ontology or practical philosophy as the specific context of interpretation.Through the expansion of anthropological ontology on the iconological elements of beauty and artistic works,hermeneutics becomes a practical and creative understanding activity linking beauty and artistic works in the form,image and meaning levels.This activity can be generalized as hermeneutic method of rhetoric,on account of it contains the rhetorical interpretation elements of context interpretation,work interpretation and concept interpretation.
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