“形式创作”意识:现代诗歌“形式-内容”的融合趋势  

Awareness of Formal Innovation:The Integrating Trend of Content and Form in Modern Poetry

作　　者：黎志敏[1,2] Li Zhimin(Guangzhou University,Guangzhou 510006,China;Guangdong Society of Foreign Literature)

机构地区：[1]广州大学 [2]广东省外国文学学会

出　　处：《外国语文研究》2022年第4期30-38,共9页Foreign Language and Literature Research

基　　金：国家社科基金项目“‘自由’的法则——英美现代诗歌形式研究”(14BWW052)的部分研究成果。

摘　　要：在传统诗学中,诗歌内容和形式并无必然的理论联系。庞德开创了现代自由诗歌,他也没有确立诗歌内容和形式之间的必然理论联系。直到美国黑山诗派领头羊奥尔森在《投射诗》一文中明确提出“形式向来不过是内容的延伸”,才在诗歌内容和形式之间建立了必然的理论联系。之后,伯恩斯坦进一步指出“内容向来不过是形式的延伸”,标志着现代诗学中形式和内容从此合二为一。在现代诗歌创作中,诗人们没有既定的形式可以套用,他们必须认真进行“形式创作”,并赋予诗歌形式相应的意义内涵,这使得现代诗歌的创作难度大大高于传统诗歌。In traditional poetics,there is no theoretical connection between the content and form of poetry.Ezra Pound created modern poetry.However,he did not establish any theory to illustrate the logical connection between the content and form of poetry.It is Charles Olson,the leader of American Black Mountain School,who established a theoretical connection between the content and form of poetry,when he proposed that“form is never more than an extension of content”in the essay of“Projective Verse”.Later on,Charles Bernstein further proposed that“content is never more than an extension of form”,which symbolizes the integration of the content and form of poetry in modern poetics.While creating a modern poem,there is no formal model for a poet to apply.Therefore,one has to undertake the work of formal innovation while writing a poem,making the form to be“an extension of content”.This makes it much more difficult for a poet to write a poem in the modern age than the ages before it.

关 键 词：现代诗歌 形式 内容 形式创作 

分 类 号：I052[文学—文学理论]